The third stage, which ended in about 1804, holds special significance in Shakespeares life. The poets mind was distressed over the years due to family misfortune and health problems. Hence, most of the compositions of these days are sad. The worldly sorrow drama Hamlet, Othello, King Lear and Macbeth, and the Roman grief drama Julius Caesar, Antoine and Cleopatra and Coriolanus were written and played during this period. Trivialus and Cressida, Alls well thats well and Major for Major have mixed expressions of happiness and sorrow, even then only the tragic part is predominant. In the final stages of development, Shakespeare created Pericles, Sinvelin, The Winters Tale, The Tempest Prabhriti plays, which, despite being peaceful, filled with sad possibilities and created an evening atmosphere. These joyful sorrows are called romances or Shakespeares last plays. Shakespeares pleasant plays have their own personal characteristics. Although Platus is followed in The Comedy of Errors, other pleasant dramas are completely different from the ancient classical plays. Their purpose is not to eradicate the deformities and improve the errors by the skit, but to entertain people through interesting story and characterization. The theme of almost all such plays is such intense feeling of love which is automatically in the form of natural attraction in the minds of young men and women. Is generated. Obstacles first arise in the path of the lovers but by the end of the play the difficulties are overcome and they result. In these compositions, there is a poetic and imaginative expression of life and the whole atmosphere is full of joy. Shakespeare was introduced to certain upper-class families and the kind of life he saw in them is published in these plays. The grief plays highlight the serious problems of human life. The aristocratic protagonists of these plays become victims of torture and destruction after being on the road to success and progress for some time. Shakespeares view on the subject of what is causing his grief and death is clearly expressed. The misfortune of the hero is partly derived from unfavorable destiny and circumstances, but a much bigger reason is found in his characters weakness. In ancient Greek tragedies, the protagonist was only decimated by faulty judgment or flawed attitudes but perhaps influenced by Christianity and moralism, Shakespeare placed the principal responsibility for the heros downfall on his character in his plays. Hamlet Athelo Lear and Macbeth - all of them find such a deficiency in their nature or character that causes their suffering and death. These sad Dual duality is reflected in Khanta plays, internal duality and multi-duality. Internal conflict arises in the heros mind, his thoughts and feelings, and his intensity not only makes decisions difficult but also disturbs the protagonists principle for some time.